Showing posts with label noise. Show all posts
Showing posts with label noise. Show all posts
A Benefit for Stephen Petrus: "When one has nothing left make ceremonies out of the air and breathe upon them"
Tuesday, January 21, 2014
Synsophony- "Rabbit Hole" (Self-Released)
Readers, you may remember how I gushed about Synsophony's debut, Karmic Existence, some time ago. Today I'm pleased to share another release from these black drone madmen, Rabbit Hole. Like their first album, this digital release is one track of expansive confusion, chaos, and anxiety. While it's not necessarily something I recommend before your morning coffee, it's a great experience for those of us who like to test our boundaries.
Unlike the lingering horror of Karmic Existence, Rabbit Hole starts at a peak of sorts, slowly crumbling as the listener descends slowly. The obvious nod to Lewis Carroll in the title conjures, again, thoughts of the onset of a psychedelic experience of some sort, but far darker than anything you'd find depicted in a story for families. With only thirteen minutes to do its damage, Rabbit Hole is far more of a meandering journey through and past uncomfortable sounds than it is a death sentence. One can occasionally hear chatter in the distance, as if observers to one's descent are nearby, yet are nowhere to be seen through the oppressive haze created by Synsophony. No peaceful closure is presented, yet one feels slightly more resolution here, despite the lack of beauty given.
Rabbit Hole is currently available as a pay what you like download from Synsophony's bandcamp page, but will see release as a cassette from Acephale Winter Productions later in 2014, along with a bonus remix.
Rei Rea- "Selected Works I: Still Suns" CS (Union Finale)
Saturday, January 11, 2014
In mid-December I was contacted by Rei Rea, inquiring about the possibility of a review. While I always give a look and listen to emails I receive, I was particularly captivated by the unique fusion of sounds and visuals. You see, Rei Rea serves as the musical output of visual artist Christian Dubé. With knowledge of his works as a painter and general madman, it's impossible to listen to "Selected Works I: Still Suns" without imagining the music as some kind of visual music. While I often experience music in colors and patterns, it's rare that I imagine the creator using some sort of sonic brush strokes, but this album makes perfect sense in that context.
Drone and noise are terms that come to mind, but Rei Rea's work rarely commits itself to an easily categorized set of sounds. Instead, the elements of each song leave trails through multiple sets of sounds, frequently unsettling and troubling, but rarely horrific, allowing an experience that is unique while still relatively familiar. I find this album is one that either warrants headphones or a great sound system, as immersing oneself in the anxiety-inducing atmospheres here yields far greater results than simply dipping one's toes in it. Tracks like "Throne of Papa" introduce just enough beauty to keep the listener optimistic, if not even instilling a sense of euphoria. This elation is mostly to balance out the dread, which comes in waves between the moments of respite. Still, this is not the relentless horror of so many artists working with noise. This is more of the monotony of working for life only to die poor. This is a sonic painting in broad strokes of grey, brown, rust red, and black. Pain and suffering are present, but are accompanied by the small joys and moments of personal satisfaction. Perhaps Rei Rea is exactly this outlet for Dubé, the place away from the chaos.
The artist recommended pairing this album with an IPA, but I've been quite under the weather lately and have not been able to drink much of anything other than tea. That said, I'll recommend the exact beer he shared with me in an email conversation. It's not locally available for me, but he says it's quite potent. Rei Rea recommends drinking Le Castor Brewing Company's Yakima IPA. It's a Montreal-based brewery, so those of us in the United States might struggle to find it, but I hope my friends up north can enjoy a bottle while listening to this album. Cassette copies are available from Union Finale, and each tape comes with a large poster of the album art, making it a total steal. Stream the album here if my words aren't enough to convince you.
Top Noise, Drone, Experimental, & Electronic Releases of 2013
Friday, December 20, 2013
Hey readers, welcome to the second of my posts rounding up the most exciting and enjoyable releases of 2013. This is another catch-all type post, but instead of focusing on things that wouldn't normally appear on my website, this entry is a journey through all of the strange, potentially unclassifiable releases that have graced my ears over the course of the past year. I was initially considering making a list for harsher forms of sonic experimentation and a separate list for mellower stuff or things with roots in other genres, but I realized that I'd be in far too deep if I made a million separate categories, so without further ado, I present the best BM&B approved albums that aren't quite metal, but are entirely worth my readers' time.
25. K11- "Another Temple to the Great Beast 666" (Utech)
From horror to bliss and back, "Another Temple to the Great Beast 666" is an album that (like many here) can't truly be described with words. It's a series of experiences that weave in and out of each other. From subtle sounds of nature, as if one were actually visiting the ruins of an ancient temple, to roaring tones that evoke images of demonic rituals, this album touches on many different areas of noise and drone, keeping things fresh from start to finish.
24. Machismo- "Severe Disconnect" (Depravity Label)
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23. Sunken Cathedral- "Sunken Cathedral" (Black Horizons)
Slow moving, textured drone atmospheres aplenty on this release. It all feels very organic and you can practically feel the moss growing on the ruins of something ancient and sacred. Blissful and mind melting, perhaps both for the same reason.
22. Trepaneringsritualen- "The Totality of Death" (Malignant Records/Silken Tofu)
As one of the first death industrial projects I ever heard, Trepaneringsritualen has long been a reference point for me when discussing the bleaker side of music. With this two disc set, with each CD being released by a separate label, this project visits new depths that set me on edge in all the ways I needed. It's hard to state how much of an endurance test this release can be at times, but the reward is all the more enjoyable after repeated listens.
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21. Body of Light- "Volonta di Amore" (Chondritic Sound)
Surprisingly beautiful and almost entirely reminiscent of new wave, this tape instantly captured my attention and should do the same for you. My only complaint is that it's far too brief, but as always, that just means it's good for multiple listens in one sitting.
20. Dylan Ettinger/Goldendust- "The Pale Mare/Truth" (DKA Records)
This split 7" is the first release from fledgling label DKA Records and offers one brief yet engaging track from each artist. Ettinger's side features dense beats, seemingly rooted in rap/hip-hop, which are paired with elegant and simple electronic melodies and heavily warped vocals. Goldendust's side contrasts the almost claustrophobic dance vibe of Ettinger with a hazy, mellow ballad that might seem a bit sleepy at first listen, but proves truly addictive over time.
19. Brennendes Gehirn & Dorian Williamson- "Rites of the Aethyr" (Antithetic)
This collaborative release surprised me despite my familiarity with Williamson's primary work in drone duo Northumbria. Traveling from entirely welcoming and comforting bass drones to the vast emptiness of the abandoned remnants of once great cities, this release kept me guessing the whole time, and subsequent listens only reinforced the strengths demonstrated here. I hope these two minds meet to collaborate again. Read my review for greater details.
18. Judas Christ- "American Gulag" (Male Activity)
This one was submitted for review and the name struck me as silly. Then I realized I couldn't stop listening to it. My review should sum up my thoughts on this fantastic offering from this bleak new group.
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17. wet nurse.- "Flux Emission" (Male Activity)
Overwhelmingly depressing power electronics with unconventional structures, if there is such a thing as a conventional structure in noise. One of the albums that convinced me that analog purists sometimes miss out on real gems. Read my full review here.
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16. Waves Crashing Piano Chords & Tanner Garza- "de Sade" (Forever Escaping Boredom)
At times terrifying and others merely disconcerting, this collaboration between two competent noise musicians was one of those tapes that REALLY wasn't long enough. With a mere two tracks of collaboration between these individuals that barely makes the eight minute mark, I can only hope that this is a teaser for some sort of horrifying opus rather than a brief melding of minds. Read my full review for further details.
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15. The Stargazer's Assistant- "Mirrors & Tides, Shivers & Voids" (Utech)
Possibly the most conventionally accessible release on this list, this album has been one of my most heavily played of the year. My thoughts on this 2x10" release can be found over at Hammer Smashed Sound.
14. The Vomit Arsonist- "An Occasion for Death" (Malignant Records)
The melancholy drone and noise experimentation of The Vomit Arsonist caught me by surprise earlier this year and never really let go. It seems there's no occasion for which this album didn't feel appropriate this year. Read my review and go buy a copy.
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13. Swallowing Bile- "Wojtek" (Sounding Session)
To pick a single Swallowing Bile release and say "this is the one" is hard. This fresh project has already proven to be a powerhouse in the noise and power electronics communities, and "Wojtek" was the first of his albums I obtained this year. It also happened to be the one I've listened to most frequently. It's quite safe to say this is one of the only truly harsh releases I loved enough to include on this list, so if you're curious about more extreme sounds but aren't fully prepared for them, give this tape a listen and see if you're ready.
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12. Breathing Problem- "Reactive Attachment Disorder" (Wohrt Records)
Easily one of the most depressing and fluid power electronics releases of the year, "Reactive Attachment Disorder" was an early find for me and has remained as gripping as the first time I listened. While it's hard to recommend this for everybody, brave fans of the genre will find this tape incredibly rewarding. Read my review for full details.
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11. Crowhurst- "Memory Loss" (Self-Released)
After reviewing Crowhurst's ominous "Death Van" earlier this year, it was a pleasant surprise to find an even more thrilling release from this nebulous entity. What kind of music does Crowhurst perform? It depends on the release. With roots in noise, Crowhurst seems intent on spreading its horrifying little fingers in every direction. "Memory Loss" is some of the most detached yet focused work I've heard from this project to date. Listen and fall in love.
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10. Bodystocking- "Sheer Spidertouch" (Strange Rules)
As with most Strange Rules cassettes, it's rather unlikely this one will surface for purchase at any point in the near future, but I managed to snag a copy with great luck. This rather prolific side project from A Pregnant Light/Colloquial Sound Recordings mastermind is a dense, beautiful industrial endeavor and this (along with many releases on CSR sublabel Locust Leg) has captivated me in a way I may not have initially expected. The motion never stops. The beauty is more than superficial. Keep an eye out for more from Bodystocking, and don't expect it to last long when copies do surface.
9. Synsophony- "Karmic Existence" (Acephale Winter Productions)
This free digital EP is one of the few releases I was uncertain about placing here rather than in my black metal section. Still, as an absolutely horrifying drone release, this absolutely belongs on this list and is one of the unsung albums of the year that I still can't believe didn't receive more attention. This absolutely deserves to be heard by everybody. Read my review for more information and get ready for a new EP in early 2014.
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8. Herukrat- "Anna Karina" (SVN OKKLT)
This tape is harsh noise wall with a purpose. Focused, obsessive, and in control, Herukrat guides the listener perfectly. My friend Tom at Metallic Imagery described this better than I ever could. Download this sold out cassette and lose your mind.
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7. Jason Hodge- "Hope Has Abandoned Us" (Enemata)
This heartbreaking, pensive cassette has been a frequent companion over the past year. Jason Hodge has released a few tapes this year, each of which has proven to be truly dynamic in its approach to noise. Like any of his works, this album feels fresh and Hodge's commitment to creating something unique is fulfilled through the course of his work. Read my complete review and grab a copy for yourself.
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6. Khfiva- "I" (Male Activity)
Shimmering beauty paired with depressing atmospheres. Khfiva's debut cassette's only weakness is how short it is. Read my complete review here, and visit my friend Tom at Metallic Imagery to download this long sold out gem.
5. a death cinematic- "corrosions of traveled daydreams" (Tycho Magnetic Anomalies/Simple Box Construction)
As one of the most brilliantly packaged releases of the year, this should instantly appeal to anybody who gets into the visual component of owning music. As one of the most engaging and desolate experimental/drone cassettes released this year, this should have sold out a long time ago, but it hasn't. Get it if you haven't already. Read my complete review for more reasons you need this.
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4. Image of Life- "Weight Loss During Wartime/Walking in the Dark" (Chondritic Sound)
Easily one of the most frequently played 7" records in my collection, this one is two perfect tracks of coldwave brilliance. Whether it's the featured A-side's frantically catchy madness or the plodding gloom of B-side "Walking in the Dark," this one is absolutely amazing. For bonus giggles and enjoyment, slow things down and play it at 33 instead of 45--it gets super dark and totally fun. If only I could find a copy of their full-length cassette, I'd be quite happy.
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3. Tollund Men- "Virbius Abstract" (Nostilevo)
While Tollund Men managed to release two excellent tapes this year (possibly three, depending on the timeliness of the impending Total Black tape/shirt combo), it's safe to say that this one received more play in my house than pretty much the entire Tollund Men discography combined. While my very amateur interview with Neal touched on this release to some degree, I never gave it the proper review it deserves. I can't really put a genre to this music, but it's both melodic and uninviting at the same time. There's a heavy layer of distortion and reverb that seems to eat half the sound coming out, which only makes these four songs more intriguing, as multiple listens yield a deeper understanding of the music contained within. I seriously can't get enough of this tape and I imagine I'll be listening to it frequently well into 2014.
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2. Crown of Cerberus- "With Arms Extended to the Heavens" (Depravity Label)
Early this year I was almost certain that this would be my top album of the year, and I was almost right. The gorgeous A-side contrasts perfectly with the somewhat startling B-side, making for a thoroughly enjoyable experience. I wrote a lot of nice words about this tape over at Hammer Smashed Sound, and you should read them if you aren't convinced that you need this in your life simply by its high placement on this list.
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1. Tanner Garza- "Lucid" (Static Reason)
I feel it's almost wrong of me to feature the talented Mr. Garza twice in one list, but I'm doing it out of necessity. In almost direct contrast to the meandering madness of his other release on this list, "Lucid" is one of the warmest, most inviting albums I've had the pleasure of hearing all year. There are so many things I could say about this tape, but I've already said them on Hammer Smashed Sound, and I need not ramble any longer on this huge post.
25. K11- "Another Temple to the Great Beast 666" (Utech)
From horror to bliss and back, "Another Temple to the Great Beast 666" is an album that (like many here) can't truly be described with words. It's a series of experiences that weave in and out of each other. From subtle sounds of nature, as if one were actually visiting the ruins of an ancient temple, to roaring tones that evoke images of demonic rituals, this album touches on many different areas of noise and drone, keeping things fresh from start to finish.
-----'
Easily some of the most static and turbulent noise I've heard, "Severe Disconnect" is like leaving reality behind in a moment of pure fear. If this group isn't out to directly cause harm to the listener, they're certainly skilled at making me think otherwise. Violence embodied. Don't know how this hasn't sold out yet. Get it while you can.
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23. Sunken Cathedral- "Sunken Cathedral" (Black Horizons)
Slow moving, textured drone atmospheres aplenty on this release. It all feels very organic and you can practically feel the moss growing on the ruins of something ancient and sacred. Blissful and mind melting, perhaps both for the same reason.
-----
22. Trepaneringsritualen- "The Totality of Death" (Malignant Records/Silken Tofu)
As one of the first death industrial projects I ever heard, Trepaneringsritualen has long been a reference point for me when discussing the bleaker side of music. With this two disc set, with each CD being released by a separate label, this project visits new depths that set me on edge in all the ways I needed. It's hard to state how much of an endurance test this release can be at times, but the reward is all the more enjoyable after repeated listens.
-----
21. Body of Light- "Volonta di Amore" (Chondritic Sound)
Surprisingly beautiful and almost entirely reminiscent of new wave, this tape instantly captured my attention and should do the same for you. My only complaint is that it's far too brief, but as always, that just means it's good for multiple listens in one sitting.
-----
This split 7" is the first release from fledgling label DKA Records and offers one brief yet engaging track from each artist. Ettinger's side features dense beats, seemingly rooted in rap/hip-hop, which are paired with elegant and simple electronic melodies and heavily warped vocals. Goldendust's side contrasts the almost claustrophobic dance vibe of Ettinger with a hazy, mellow ballad that might seem a bit sleepy at first listen, but proves truly addictive over time.
-----
19. Brennendes Gehirn & Dorian Williamson- "Rites of the Aethyr" (Antithetic)
This collaborative release surprised me despite my familiarity with Williamson's primary work in drone duo Northumbria. Traveling from entirely welcoming and comforting bass drones to the vast emptiness of the abandoned remnants of once great cities, this release kept me guessing the whole time, and subsequent listens only reinforced the strengths demonstrated here. I hope these two minds meet to collaborate again. Read my review for greater details.
-----
18. Judas Christ- "American Gulag" (Male Activity)
This one was submitted for review and the name struck me as silly. Then I realized I couldn't stop listening to it. My review should sum up my thoughts on this fantastic offering from this bleak new group.
-----
17. wet nurse.- "Flux Emission" (Male Activity)
Overwhelmingly depressing power electronics with unconventional structures, if there is such a thing as a conventional structure in noise. One of the albums that convinced me that analog purists sometimes miss out on real gems. Read my full review here.
-----
16. Waves Crashing Piano Chords & Tanner Garza- "de Sade" (Forever Escaping Boredom)
At times terrifying and others merely disconcerting, this collaboration between two competent noise musicians was one of those tapes that REALLY wasn't long enough. With a mere two tracks of collaboration between these individuals that barely makes the eight minute mark, I can only hope that this is a teaser for some sort of horrifying opus rather than a brief melding of minds. Read my full review for further details.
-----
15. The Stargazer's Assistant- "Mirrors & Tides, Shivers & Voids" (Utech)
Possibly the most conventionally accessible release on this list, this album has been one of my most heavily played of the year. My thoughts on this 2x10" release can be found over at Hammer Smashed Sound.
-----
14. The Vomit Arsonist- "An Occasion for Death" (Malignant Records)
The melancholy drone and noise experimentation of The Vomit Arsonist caught me by surprise earlier this year and never really let go. It seems there's no occasion for which this album didn't feel appropriate this year. Read my review and go buy a copy.
-----
13. Swallowing Bile- "Wojtek" (Sounding Session)
To pick a single Swallowing Bile release and say "this is the one" is hard. This fresh project has already proven to be a powerhouse in the noise and power electronics communities, and "Wojtek" was the first of his albums I obtained this year. It also happened to be the one I've listened to most frequently. It's quite safe to say this is one of the only truly harsh releases I loved enough to include on this list, so if you're curious about more extreme sounds but aren't fully prepared for them, give this tape a listen and see if you're ready.
-----
12. Breathing Problem- "Reactive Attachment Disorder" (Wohrt Records)
Easily one of the most depressing and fluid power electronics releases of the year, "Reactive Attachment Disorder" was an early find for me and has remained as gripping as the first time I listened. While it's hard to recommend this for everybody, brave fans of the genre will find this tape incredibly rewarding. Read my review for full details.
-----
11. Crowhurst- "Memory Loss" (Self-Released)
After reviewing Crowhurst's ominous "Death Van" earlier this year, it was a pleasant surprise to find an even more thrilling release from this nebulous entity. What kind of music does Crowhurst perform? It depends on the release. With roots in noise, Crowhurst seems intent on spreading its horrifying little fingers in every direction. "Memory Loss" is some of the most detached yet focused work I've heard from this project to date. Listen and fall in love.
-----
10. Bodystocking- "Sheer Spidertouch" (Strange Rules)
As with most Strange Rules cassettes, it's rather unlikely this one will surface for purchase at any point in the near future, but I managed to snag a copy with great luck. This rather prolific side project from A Pregnant Light/Colloquial Sound Recordings mastermind is a dense, beautiful industrial endeavor and this (along with many releases on CSR sublabel Locust Leg) has captivated me in a way I may not have initially expected. The motion never stops. The beauty is more than superficial. Keep an eye out for more from Bodystocking, and don't expect it to last long when copies do surface.
-----
9. Synsophony- "Karmic Existence" (Acephale Winter Productions)
This free digital EP is one of the few releases I was uncertain about placing here rather than in my black metal section. Still, as an absolutely horrifying drone release, this absolutely belongs on this list and is one of the unsung albums of the year that I still can't believe didn't receive more attention. This absolutely deserves to be heard by everybody. Read my review for more information and get ready for a new EP in early 2014.
-----
8. Herukrat- "Anna Karina" (SVN OKKLT)
This tape is harsh noise wall with a purpose. Focused, obsessive, and in control, Herukrat guides the listener perfectly. My friend Tom at Metallic Imagery described this better than I ever could. Download this sold out cassette and lose your mind.
-----
7. Jason Hodge- "Hope Has Abandoned Us" (Enemata)
This heartbreaking, pensive cassette has been a frequent companion over the past year. Jason Hodge has released a few tapes this year, each of which has proven to be truly dynamic in its approach to noise. Like any of his works, this album feels fresh and Hodge's commitment to creating something unique is fulfilled through the course of his work. Read my complete review and grab a copy for yourself.
-----
6. Khfiva- "I" (Male Activity)
Shimmering beauty paired with depressing atmospheres. Khfiva's debut cassette's only weakness is how short it is. Read my complete review here, and visit my friend Tom at Metallic Imagery to download this long sold out gem.
-----
5. a death cinematic- "corrosions of traveled daydreams" (Tycho Magnetic Anomalies/Simple Box Construction)
As one of the most brilliantly packaged releases of the year, this should instantly appeal to anybody who gets into the visual component of owning music. As one of the most engaging and desolate experimental/drone cassettes released this year, this should have sold out a long time ago, but it hasn't. Get it if you haven't already. Read my complete review for more reasons you need this.
-----
4. Image of Life- "Weight Loss During Wartime/Walking in the Dark" (Chondritic Sound)
Easily one of the most frequently played 7" records in my collection, this one is two perfect tracks of coldwave brilliance. Whether it's the featured A-side's frantically catchy madness or the plodding gloom of B-side "Walking in the Dark," this one is absolutely amazing. For bonus giggles and enjoyment, slow things down and play it at 33 instead of 45--it gets super dark and totally fun. If only I could find a copy of their full-length cassette, I'd be quite happy.
-----
3. Tollund Men- "Virbius Abstract" (Nostilevo)
While Tollund Men managed to release two excellent tapes this year (possibly three, depending on the timeliness of the impending Total Black tape/shirt combo), it's safe to say that this one received more play in my house than pretty much the entire Tollund Men discography combined. While my very amateur interview with Neal touched on this release to some degree, I never gave it the proper review it deserves. I can't really put a genre to this music, but it's both melodic and uninviting at the same time. There's a heavy layer of distortion and reverb that seems to eat half the sound coming out, which only makes these four songs more intriguing, as multiple listens yield a deeper understanding of the music contained within. I seriously can't get enough of this tape and I imagine I'll be listening to it frequently well into 2014.
-----
2. Crown of Cerberus- "With Arms Extended to the Heavens" (Depravity Label)
Early this year I was almost certain that this would be my top album of the year, and I was almost right. The gorgeous A-side contrasts perfectly with the somewhat startling B-side, making for a thoroughly enjoyable experience. I wrote a lot of nice words about this tape over at Hammer Smashed Sound, and you should read them if you aren't convinced that you need this in your life simply by its high placement on this list.
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1. Tanner Garza- "Lucid" (Static Reason)
I feel it's almost wrong of me to feature the talented Mr. Garza twice in one list, but I'm doing it out of necessity. In almost direct contrast to the meandering madness of his other release on this list, "Lucid" is one of the warmest, most inviting albums I've had the pleasure of hearing all year. There are so many things I could say about this tape, but I've already said them on Hammer Smashed Sound, and I need not ramble any longer on this huge post.
New music: Brennendes Gehirn & Dorian Williamson, thisquietarmy, Australasia, and The Chewers
Friday, November 15, 2013
Today we're visiting four albums for our music post instead of the usual three. The reason is that none of these are quite typical Black Metal & Brews releases, yet all four are worth your time and energy. For the readers with a broader appreciation of music (which seems to be most of you), I hope you'll visit with each of these releases and enjoy yourself.
Brennendes Gehirn & Dorian Williamson- "Rites of the Aethyr" CD (Antithetic)
This collaborative effort by Brennendes Gehirn and Dorian Williamson of Northumbria fame is everything I'd want in a versatile droning noise release. Three tracks that are unique even in context of the album they share, as each features a different lineup. The first track, "Involution," belongs to Dorian Williamson. It has an almost womb-like security and palpable emotion in the texture of its circular drones, the rest of the album is decidedly more ominous. The title track is a collaborative effort between both artists, and features a bit of percussion and chanting early on, yet grows into spiraling, crackling madness. Ending the album is the monumentally creepy "Geheimnis," an offering from Brennendes Gehirn, which begins with two or three minutes of speech before growing into some of the most somber and haunting noise atmospheres I've heard this year. Listen to this song in an empty parking lot on a windy night, watching paper and litter blow along. It's hard to feel like you aren't the last person on earth. The album's progression feels like the slow and final fade of the brain as one enters the realm of death. Perhaps there's more to it than that, but the vastness and severity of this release certainly work in my understanding of it. This is absolutely worth your time and interest, so grab a copy as soon as you're able.
thisquietarmy- "Hex Mountains" CD/LP (Denovali)
thisquietarmy has typically been the one-man project of Eric Quach, and while it still is, this album features many guest appearances, including the previously discussed Dorian Williamson. thisquietarmy's trademark sounds are all present on this release of subtle yet dynamic doom and drone, and if anything, this is probably the most expansive release I've heard from this artist. Perhaps it's the influence of others, as this feels like a very organic album. Nothing is forced, nothing seems to be scrutinized. Instead, the flow of these songs feels like one artist creating something and allowing others to leave their own delicate marks. Triumphant guitars soar across the peaks of snow-capped mountains, while live drums punctuate the already breathtaking intensity and beauty created by Quach in the opening track. In contrast, many segments of this album are passages of minimal sound, with delicate waves of drone crashing off in the distance, balancing out the massive nature of the heavier passages. While this can be a dark and personal affair at times, I feel a sense of rebirth and self-discovery when listening to this album. As always, it's featured here, so I recommend obtaining a copy.
Australasia- "Vertebra" CD (Immortal Frost Productions)
Italian post-rockers Australasia already graced my site earlier this year with a very solid EP debut. Now they've returned with a full-length album, featuring some of the tracks from their EP as well as some interesting new territory. There's a much stronger vocal presence on this album, although it's still primarily an instrumental affair. These guys are now dabbling in everything from tremolo picking heaviness to subtle synth beauty to dark trip-hop inspired passages, yet it still feels like a very natural progression for these musicians who clearly love experimenting and playing with each other. Fans of progressive or otherwise playful music should enjoy this greatly. Purchase a copy of this album from Immortal Frost while they're still available. Also note--the bandcamp link above only has a small selection of songs from this album, which is far longer than bandcamp would have you think.
The Chewers- "Chuckle Change and Also" (Self-Released)
The Chewers are by far the strangest band I've featured here, and for their strangeness they've burrowed a funky little hole into my heart. Their music feels like a mix of the broken junkyard blues of late-80's Tom Waits and the unconventional madness of The Residents at pretty much any time in the past forty years. This stuff might fall under the whole "outsider music" tag but I'd be the last person to consider myself an expert on it. Many of the songs are on the shorter side but it works nicely. Rather than allowing tunes to feel like good ideas that stretch on longer than they need, The Chewers let each song exist as it needs to, with no extra instrumentation or needlessly long songs. Purchase a download from their bandcamp and immerse yourself in the oddness. If you're at all curious about the weirder side of music, you need to hear The Chewers.
Brennendes Gehirn & Dorian Williamson- "Rites of the Aethyr" CD (Antithetic)
This collaborative effort by Brennendes Gehirn and Dorian Williamson of Northumbria fame is everything I'd want in a versatile droning noise release. Three tracks that are unique even in context of the album they share, as each features a different lineup. The first track, "Involution," belongs to Dorian Williamson. It has an almost womb-like security and palpable emotion in the texture of its circular drones, the rest of the album is decidedly more ominous. The title track is a collaborative effort between both artists, and features a bit of percussion and chanting early on, yet grows into spiraling, crackling madness. Ending the album is the monumentally creepy "Geheimnis," an offering from Brennendes Gehirn, which begins with two or three minutes of speech before growing into some of the most somber and haunting noise atmospheres I've heard this year. Listen to this song in an empty parking lot on a windy night, watching paper and litter blow along. It's hard to feel like you aren't the last person on earth. The album's progression feels like the slow and final fade of the brain as one enters the realm of death. Perhaps there's more to it than that, but the vastness and severity of this release certainly work in my understanding of it. This is absolutely worth your time and interest, so grab a copy as soon as you're able.
thisquietarmy- "Hex Mountains" CD/LP (Denovali)
thisquietarmy has typically been the one-man project of Eric Quach, and while it still is, this album features many guest appearances, including the previously discussed Dorian Williamson. thisquietarmy's trademark sounds are all present on this release of subtle yet dynamic doom and drone, and if anything, this is probably the most expansive release I've heard from this artist. Perhaps it's the influence of others, as this feels like a very organic album. Nothing is forced, nothing seems to be scrutinized. Instead, the flow of these songs feels like one artist creating something and allowing others to leave their own delicate marks. Triumphant guitars soar across the peaks of snow-capped mountains, while live drums punctuate the already breathtaking intensity and beauty created by Quach in the opening track. In contrast, many segments of this album are passages of minimal sound, with delicate waves of drone crashing off in the distance, balancing out the massive nature of the heavier passages. While this can be a dark and personal affair at times, I feel a sense of rebirth and self-discovery when listening to this album. As always, it's featured here, so I recommend obtaining a copy.
Australasia- "Vertebra" CD (Immortal Frost Productions)
Italian post-rockers Australasia already graced my site earlier this year with a very solid EP debut. Now they've returned with a full-length album, featuring some of the tracks from their EP as well as some interesting new territory. There's a much stronger vocal presence on this album, although it's still primarily an instrumental affair. These guys are now dabbling in everything from tremolo picking heaviness to subtle synth beauty to dark trip-hop inspired passages, yet it still feels like a very natural progression for these musicians who clearly love experimenting and playing with each other. Fans of progressive or otherwise playful music should enjoy this greatly. Purchase a copy of this album from Immortal Frost while they're still available. Also note--the bandcamp link above only has a small selection of songs from this album, which is far longer than bandcamp would have you think.
The Chewers- "Chuckle Change and Also" (Self-Released)
The Chewers are by far the strangest band I've featured here, and for their strangeness they've burrowed a funky little hole into my heart. Their music feels like a mix of the broken junkyard blues of late-80's Tom Waits and the unconventional madness of The Residents at pretty much any time in the past forty years. This stuff might fall under the whole "outsider music" tag but I'd be the last person to consider myself an expert on it. Many of the songs are on the shorter side but it works nicely. Rather than allowing tunes to feel like good ideas that stretch on longer than they need, The Chewers let each song exist as it needs to, with no extra instrumentation or needlessly long songs. Purchase a download from their bandcamp and immerse yourself in the oddness. If you're at all curious about the weirder side of music, you need to hear The Chewers.
New music: Dodenkrocht, Cold Crypt, Sacramence/Golden Milk
Wednesday, October 30, 2013
Dodenkrocht- "Misery Chords" EP (Self-Released)
This EP is probably the most appropriate album I could be sharing in time for Halloween. Before you decide it's a collection of spooky sounds and cheap gimmicks, let me explain. The funereal vastness provided by Dodenkrocht on these three original compositions (and closing Manes cover) is majestic and so inherently visual that I can almost imagine an entire short scene for each tune. The pace of their second-wave inspired black metal is moderate at its fastest, which works nicely as this album is full of notes that ring out and howls that trail away into the darkness. If this wasn't recorded in a foggy forest clearing in the dead of night, I'd be none the wiser. The atmosphere is dense and the musicianship is solid. Even when the guitars are sped up, the drumming maintains a steady and hypnotic pace that really cements the ominous nature of Dodenkrocht's music. While this was my introduction to this project, I'm keeping an eye on these guys for future releases and you should do the same.
Cold Crypt- "Darkest Symphonies" CD (Self-Released)
These guys were kind enough to send me a copy of their CD all the way across the pond. Fortunately for me, it's good enough to feature even if I'd had to hunt it own myself. Working with roots in black metal, Cold Crypt frequently deconstructs the musical paradigms of the genre to bare bones only to craft new sounds with them. Hazy guitars and murky production create an almost electronic fuzz, with some tracks creeping into icy pulsing synth-heavy horror soundtracks. Some groups's names are quite telling, and Cold Crypt is absolutely one of them. Eerie without becoming campy, this album frequently treads into territory more often found on power electronics releases than traditional black metal albums, which is refreshing. Samples and sonic trickery fit in comfortably besides scathing metal assaults and cold minimal synth tracks. Absolutely worth a listen. Obtain a copy from the artist if you're located in Europe or from Badgod Music here in the USA.
In a year when Raspberry Bulbs' newest album is making its way into massive mainstream success (well deserved, I might add), one might expect offerings falling into "noisy blackened punk" territory to suffer in quality, perhaps as trendhoppers. I'm pleased to say this tape delivers the goods wholly and sincerely. Sacramence is the solo project of S. Jordan and submits two songs of blown out filth to start things off. Sacramence claims to deal with themes of nihilism and animal rights, which sounds awesome to me, but I can't pull a single word from the murk here. Opener "Revered Filth" starts off pretty slow and textured, with distortion building into an almost psychedelic bliss until chaotic drumming and distant howls break through at a frantic gallop. The second tune, "Decrepit Obedience" is much slower and more ominous, slowly shifting around and through itself in the most haunting way. Golden Milk follows with three compositions all thematically linked as separate parts of the same song, entitled "Through Force and Intolerance." These three songs are even more warped and fuzzy than Sacramence's portion of the split, yet are stripped of the hazy layering and are instead a focused and aggressive assault upon the listener. The pace varies but it's pretty straight-up, which I completely respect. This is currently available as a free download if you visit Sacramence on bandcamp and will be available from Born Dead Records' webstore as a cassette sometime soon.
New Music: Welter In Thy Blood, Waves Crashing Piano Chords & Tanner Garza, and A Void In Coma,
Friday, August 23, 2013
Today we're going to delve into some albums that embody the coldness, anxiety, and horror that I love so much. If you're looking for some music to really saturate your environment with darkness, this post is for you.
Welter In Thy Blood- "Todestrieb" digipack CD (Dusktone)
Welter In Thy Blood's newest offering, "Todestrieb" approaches slowly, like the onset of old age and the weakness that accompanies it. A low frequency static rumbles across the desolation of an empty wasteland as the band readies itself to deliver an ominous offering of slow and bleak industrialized doom. In many ways, the miserable territory covered here reminds me of the slower moments of Blut Aus Nord's "Work Which Transforms God," with layers of guitar collapsing in on themselves in a way that is just melodic enough to retain the attention of even skeptical listeners. Vocals howl in and around the song like icy winds, but seldom come to the forefront, which further darkens the atmosphere. While I've grown a bit skeptical of bands with nearly indecipherable logos, I'm really glad I gave this one a listen, as it's been something of an obsession for me for the past couple weeks. The label's based out of Italy, but it's worth the cost of shipping. Grab a copy here.
Waves Crashing Piano Chords & Tanner Garza- "de Sade" CS (Forever Escaping Boredom)
This collaborative effort from two very different noise-based artists creates a chilling environment in which gently humming tape loops set an ethereal yet eerie backdrop for high-pitched feedback and chaos. For the uninitiated, Garza (also a member of the legendary Black Leather Jesus) is the loop mastermind, while WCPC brings the feedback-heavy assault. When vocals appear, they seem to mock and challenge the listener, before becoming part of the manipulated sounds that torment the mind of the listener. This is neither as soothing as Garza's solo material nor is it as abrasive as WCPC's typical chaos, making it a great release for folks who are familiar with either artist or for people simply looking for a good sampler of two of the more prolific noise artists around right now. Get this limited tape from Forever Escaping Boredom by ordering through the bandcamp link above.
A Void in Coma- "A Primal Obsession with the Cosmos" (Self-Released)
A Void in Coma are a new group to me, having never crossed my periphery until the band themselves contacted me. I'm glad they did. Their hypnotic, droning approach to ambient black metal works nicely. While they cite influences in the shoegaze genre, there's little to no presence of the highly overdone "blackgaze" sound. Instead, the music is meditative, clear, and can easily be listened to without digging through tremolo-picked guitar, although there is a heavy haze that adds to the mood. Vocals are delivered as chants, harsher traditional black metal vocals, and even occasional depraved howls, which presents a very enjoyable balance. While this album is not currently available for purchase in any physical formats, the band has plans to repress this demo and it is presently available as a download by clicking the link to the album itself.
Welter In Thy Blood- "Todestrieb" digipack CD (Dusktone)
Welter In Thy Blood's newest offering, "Todestrieb" approaches slowly, like the onset of old age and the weakness that accompanies it. A low frequency static rumbles across the desolation of an empty wasteland as the band readies itself to deliver an ominous offering of slow and bleak industrialized doom. In many ways, the miserable territory covered here reminds me of the slower moments of Blut Aus Nord's "Work Which Transforms God," with layers of guitar collapsing in on themselves in a way that is just melodic enough to retain the attention of even skeptical listeners. Vocals howl in and around the song like icy winds, but seldom come to the forefront, which further darkens the atmosphere. While I've grown a bit skeptical of bands with nearly indecipherable logos, I'm really glad I gave this one a listen, as it's been something of an obsession for me for the past couple weeks. The label's based out of Italy, but it's worth the cost of shipping. Grab a copy here.
Waves Crashing Piano Chords & Tanner Garza- "de Sade" CS (Forever Escaping Boredom)
This collaborative effort from two very different noise-based artists creates a chilling environment in which gently humming tape loops set an ethereal yet eerie backdrop for high-pitched feedback and chaos. For the uninitiated, Garza (also a member of the legendary Black Leather Jesus) is the loop mastermind, while WCPC brings the feedback-heavy assault. When vocals appear, they seem to mock and challenge the listener, before becoming part of the manipulated sounds that torment the mind of the listener. This is neither as soothing as Garza's solo material nor is it as abrasive as WCPC's typical chaos, making it a great release for folks who are familiar with either artist or for people simply looking for a good sampler of two of the more prolific noise artists around right now. Get this limited tape from Forever Escaping Boredom by ordering through the bandcamp link above.
A Void in Coma- "A Primal Obsession with the Cosmos" (Self-Released)
A Void in Coma are a new group to me, having never crossed my periphery until the band themselves contacted me. I'm glad they did. Their hypnotic, droning approach to ambient black metal works nicely. While they cite influences in the shoegaze genre, there's little to no presence of the highly overdone "blackgaze" sound. Instead, the music is meditative, clear, and can easily be listened to without digging through tremolo-picked guitar, although there is a heavy haze that adds to the mood. Vocals are delivered as chants, harsher traditional black metal vocals, and even occasional depraved howls, which presents a very enjoyable balance. While this album is not currently available for purchase in any physical formats, the band has plans to repress this demo and it is presently available as a download by clicking the link to the album itself.
New transmissions from Male Activity
Monday, August 12, 2013
Some of my more regular readers (or perhaps just my noise enthusiasts out there) will remember the surprisingly positive words I wrote about Male Activity's first three releases earlier this year. As the year's progressed, I feel it's about time to check in with the label and showcase some of their current output. Some of these albums are from familiar faces, and others are newcomers who are ready to challenge the ears of the masses. Enough with my rambling, let's get to the music.
Starting off this batch of newer releases is MA:005, "Flux Emission," the first CDr release from label mainstay wet nurse. Somewhat of a departure from the brand of noise crafted on prior releases, there seem to be guitars (or a synthesized version of them) in this release and the songs here follow somewhat structured patterns. Influences from post-punk and harsher forms of noise creep in and out without wholly altering the sound so much as they leave their small mark. This does not, however, deter from the intensity of the atmosphere here nor does it remove this from the overall genre of death industrial. Instead, this album switches between melancholy industrial dirges and static landscapes of pure loneliness and frustration. As this album is a reflection on anxiety as well as the human condition, I find it appropriate that in many ways this feels like the release with the most clarity and human input in wet nurse's catalog to date. This one's limited to thirty copies, so hop on it quickly. It's already halfway sold out.
MA:006 sees B.P.'s debut as a solo entity, "Maybe there's a tranquil eden behind the murk." Fans of the label might notice that B.P. is the mastermind behind Gashkadin and is also involved in the ethereal gloom of Bedroom Suite. In a way that hybridizes his two other approaches to sound, this release creaks in with low frequencies that ooze depression, and it takes hold with a sadness that exists outside of verbal understanding. Faded photographs of unloved household objects fill the booklet that accompanies this album, paired with lyrics to songs with titles like "chest sores," "dirty mattress," and "flesh chamber." To call this album a downer would be an understatement, but to simply view this as gloomy rumbling noise would be unfair. The static around the edges sometimes creeps in to turn sadness to terror, as carefully led onward by this masterful noise artist. As I listen, I feel a great loneliness, but it's enjoyable to the same effect as a truly frightening horror film; it's a masochistic joy. This tape is limited to a generous fifty copies, but that doesn't mean it's going to stick around forever. Grab this while you can.
MA:007 is the self-titled debut of doomy noisemakers Mukherjee. While the name's more than a mouthful, the music is some of the most ominous stuff I've heard in a while. Rather than crafting swirling static or electronic noise, this is thunderous droning of the earth's shifting as viewed through timelapse photography. While some electronic loops seem to be make their way into the fold at times, much of these sounds feel like they were created live in some sort of filthy basement. Harsh noise obsessives need not worry though, as the final track creates enough distorted sound manipulation horror to satisfy even fans of the most depraved sounds. I'd be lying if I said I'm not confused by some of this, but it's an intriguing sort of confusion akin to morbid curiosity, not the sort of confusion that makes me want to put it away. Forty copies of this cassette are available but I expect it to sell relatively quickly once people catch wind of this group.
So, loyal readers, you know what to do. Grab a few tapes from this label, help 'em continue doing what they're clearly so good at doing. MA:008 is already out as well, but I have yet to listen. It's a Wet Nurse cassette limited to 20 copies for a mere $2.50, so jump on that one if you're already paying a visit
Starting off this batch of newer releases is MA:005, "Flux Emission," the first CDr release from label mainstay wet nurse. Somewhat of a departure from the brand of noise crafted on prior releases, there seem to be guitars (or a synthesized version of them) in this release and the songs here follow somewhat structured patterns. Influences from post-punk and harsher forms of noise creep in and out without wholly altering the sound so much as they leave their small mark. This does not, however, deter from the intensity of the atmosphere here nor does it remove this from the overall genre of death industrial. Instead, this album switches between melancholy industrial dirges and static landscapes of pure loneliness and frustration. As this album is a reflection on anxiety as well as the human condition, I find it appropriate that in many ways this feels like the release with the most clarity and human input in wet nurse's catalog to date. This one's limited to thirty copies, so hop on it quickly. It's already halfway sold out.
MA:006 sees B.P.'s debut as a solo entity, "Maybe there's a tranquil eden behind the murk." Fans of the label might notice that B.P. is the mastermind behind Gashkadin and is also involved in the ethereal gloom of Bedroom Suite. In a way that hybridizes his two other approaches to sound, this release creaks in with low frequencies that ooze depression, and it takes hold with a sadness that exists outside of verbal understanding. Faded photographs of unloved household objects fill the booklet that accompanies this album, paired with lyrics to songs with titles like "chest sores," "dirty mattress," and "flesh chamber." To call this album a downer would be an understatement, but to simply view this as gloomy rumbling noise would be unfair. The static around the edges sometimes creeps in to turn sadness to terror, as carefully led onward by this masterful noise artist. As I listen, I feel a great loneliness, but it's enjoyable to the same effect as a truly frightening horror film; it's a masochistic joy. This tape is limited to a generous fifty copies, but that doesn't mean it's going to stick around forever. Grab this while you can.
MA:007 is the self-titled debut of doomy noisemakers Mukherjee. While the name's more than a mouthful, the music is some of the most ominous stuff I've heard in a while. Rather than crafting swirling static or electronic noise, this is thunderous droning of the earth's shifting as viewed through timelapse photography. While some electronic loops seem to be make their way into the fold at times, much of these sounds feel like they were created live in some sort of filthy basement. Harsh noise obsessives need not worry though, as the final track creates enough distorted sound manipulation horror to satisfy even fans of the most depraved sounds. I'd be lying if I said I'm not confused by some of this, but it's an intriguing sort of confusion akin to morbid curiosity, not the sort of confusion that makes me want to put it away. Forty copies of this cassette are available but I expect it to sell relatively quickly once people catch wind of this group.
So, loyal readers, you know what to do. Grab a few tapes from this label, help 'em continue doing what they're clearly so good at doing. MA:008 is already out as well, but I have yet to listen. It's a Wet Nurse cassette limited to 20 copies for a mere $2.50, so jump on that one if you're already paying a visit
New Music: Ak'chamel, Countess, Throne of Malediction
Monday, August 5, 2013
Ak'chamel- Thrower of Sickness Cassette (Self-Released/Halloween Quest Records)
Ak'chamel is an entity which spends a great amount of time in the realm of black metal, yet doesn't exist wholly within it. Instead, Ak'chamel produces blown out drones, sound collages of horror, and eerie samples that are accompanied by a muddy layer of fuzzed-into-oblivion black metal, all while remaining anonymous in outfits like the one presented above. Pairing all this with psychedelic leanings and spacey effects that may have come from a Hawkwind album makes for an experience that is enjoyable as a fan of black metal but also as a fan of bizarre ambiance. If you dig bands that toy with atmosphere and throw the rule book out the window, this album was made for you. Think of things like the murkier and more ethereal LLN groups or even the psychedelic madness of The Mausoleums. Currently only available as a free download, expect a cassette edition from Halloween Quest Records in the near future.
Countess- Sermons of the Infidel CD (Self-Released)
Countess stands as one of the cleaner recordings I've heard lately, following roots in a more traditional form of heavy metal while taking them down a darker path. This one-man band creates deceptively simple riffs over which stronger melodies are layered. The vocals are clearly human, snarled out with a vicious attitude, rather than the demonic shrieks of many newer bands. The evil intent drips from every line, clearly drawing inspiration from first wave black metal without simply mimicking the style of the originators. My only criticism here would be that the drumming is either programmed or done in the simplest fashion possible, but it still sets an appropriate foundation for some incredibly catchy and enjoyable metal that stands outside of time and trends. Snag this album from the artist's bandcamp page as linked above and check out his extensive back catalog while you're there.
Throne of Malediction- Out of Darkness, Comes Light (Torn Flesh Records/No Remorse Records)
Throne of Malediction grace this post with another set of sounds that rarely appears on this site, yet it's masterfully done and makes for a welcome addition. Elegant harpsichord sounds open the album with ominous spoken word, leading into an album of heavy metal which draws influences from both aggressive black metal and gloomy key-heavy doom without firmly planting itself in either. Vocals vary widely, with harsh male vocals of the black metal ilk often trading with soothing presence of gently sung female vocals that stop just short of reaching "operatic" levels. The balance of dark and light is clearly Throne of Malediction's focus, as album title and sound both demonstrate, and the balance is well kept. The album is just adventurous enough to create a unique experience, but familiar enough to keep a listener satisfied from start to finish, with a few surprise guest spots along the way. Obtain this album for free download by clicking the album's title in the header of this section and get your gloom on, or make a commitment to the darkness by purchasing from No Remorse Records.
Song Premiere: Venowl & Auditor- "Mounds of Scorched Teeth (Unmastered)"
Wednesday, July 24, 2013
I feel like I'm constantly having firsts here on this site. I hope you guys enjoy it as much as I do, because today's first is something I'm used to seeing only on more prominent sites. I have the first available track from the impending release from Venowl & Auditor entitled Acid Revealing Open Wounds. This release showcases some rather new territory for Venowl, who do seem to benefit from rising to the challenge of working with others. When they force their churning noise through the paradigm of another artist, they expand in new directions. Auditor's contributions to this release manifest as a sort of tension, something reeling in Venowl's typically rabid sound and forcing it along a newer path. While this isn't nearly as painful as having teeth burnt out of my skull, these guys continue to create sounds that walk the masochistic line between enjoyable and hideous in all the best ways. The crawling horror of Venowl is slow and meticulous, with loose arrangements allowing for Auditor to fill in the gaps with bursts of noise, melody, and everything in between. About halfway through, things become truly deconstructed and it almost feels like witnessing people being torn apart. Those who have enjoyed previous works from Venowl or Auditor's former project, Iron Forest, should know what to expect, although there are a few surprises hidden in the murk.
New Music 5/29/13: Schrei Aus Stein, Gnashing of Teeth, Twilight Fauna
Wednesday, May 29, 2013
Schrei Aus Stein- Philosophie CS (Self-Released)
This album from one of the members of BM&B approved group Curseworship is one of the more haunting pieces of black metal I've heard lately. Existing almost exclusively in the space between conventional black metal structures and free-form black noise, the ever-shifting nature of this music keeps it flowing nicely without feeling repetitive. The music is nebulous and ethereal and feels like it was created in some sort of other universe. After two solid original tracks, Schrei Aus Stein includes a sweet Velvet Cacoon cover as a digital bonus track. Buy the tape by clicking on the album title or find it for download on soundcloud.
Gnashing of Teeth- Demo MMXII CDr (Self-Released)
If you've visited this blog before, there's a chance you might be familiar with the black noise madness of Gnashing of Teeth. Aside from curating his own music blog, this man apparently has the time and capacity to make some of the most repulsive music I've heard. This is definitely one of those "if you could call it music" scenarios, which is something I've grown to love. While Gnashing of Teeth will always be an acquired taste, I'll be one of the happy few, sipping on delicious beer while filling the room with high quality black noise. There's definitely an expansion of sound from the split with Enbilulugugal to this release. It's slightly more musical here, but there are still layers of fuzz and filth to either "get past" or wallow in, depending on your attitude towards noise. My recommendation? Just immerse yourself in the void. You'll come out stronger.
Twilight Fauna- Grief CD/CS (Depressive Illusions)
Twilight Fauna is an Appalachian black metal project consisting almost exclusively of just one member who goes by the name Ravenwood. Ravenwood uses this project to convey both murky, dense black metal sadness alongside subtle acoustic passages that provide adequate space for reflection. It's an essential balance when going through such bleak territory, and Twilight Fauna seems to specialize in balance. Each instrument is still easily discerned despite the sheer density of sound and each song is enjoyable in spite of (or perhaps because of) the dissonance and chaos contained within. The depression here seems timeless rather than self-indulgent. Many bands who deal with melancholy seem to be wallowing in it, while this feels more like a portrayal of an ancient, earthy sadness. This album will certainly lower your spirits, but is worth a listen regardless. Purchase a CD directly from the band or a cassette from the label.
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