Guest List: Paul from Male Activity & wet nurse.

I became acquainted Paul from Male Activity earlier this year shortly after I featured his label's first three releases as a collective post. Since that time, Male Activity has released a rather generous amount of music, almost all of which has been featured on this site, with three albums even making my top noise list, including his own project wet nurse. With a label consistently releasing such quality music, I had to know what music really excited the man behind the label in 2013.

Honorable Mentions:
The Body- "Christs, Redeemers"
Carrion Sunflower- "The Romantic Youth of Jesus"
Pharmakon- "Abandon" (and just about every other Sacred Bones release)
RU-486- "Romanian Abattoirs"
The Vomit Arsonist- "An Occasion for Death"
+ those Lil Ugly Mane mixtapes

5. Altar of Plagues- "Teethed Glory and Injury" (Profound Lore)
Although I don't listen to black metal as often as I used to, this album really caught and held my attention. "Teethed Glory" sees Altar of Plagues embarking on a new direction from the band's previous work, which used to be fairly standard atmospheric black. We now see Altar of Plagues experimenting with electronic timbres and odd metres. The arrangements are still fairly minimal but now depend on subtle variations in repetitive clusters of notes, rather than drawn out post-rockish soundscapes. The vocals are also outstanding, particularly on "Burnt Year," and the production reminds me of Bjork for some reason. An ambitious and impressive album in a genre that is too often stagnant. It's unfortunate that this will be their last.

4. Steel Hook Prostheses- "The Empirics Guild" (Malignant)
So this has been a really great year for Malignant Records, and "The Empirics Guild" is certainly a highlight. SHP has always excelled at creating an utterly suffocating climate with their unique brand of dread inducing death industrial. Razor sharp vocals pierce the listener's ears like bone chisels, and churning noise drags you into a world of pure bodily horror. What's always impressed me about SHP, and especially "The Empirics Guild," is the surgical precision to which their work is executed. From the eerie Arvo Part sample it opens with to its brilliantly unsettling finale, the whole record is a relentless and almost cinematic masterpiece.

3. Juicy J- "Stay Trippy" (Kemosabe/Columbia)
While not as consistent or commendable as "Blue Dreams" & "Lean," "Stay Trippy" is a fantastic album in its own right. There's an interesting atmosphere that permeates the album, which floats like pot smoke between playful and disturbing. The trap beats sound absolutely criminal and the synth lines are effectively minimal. Unfortunately, "Stay Trippy" is marred by a couple of crappy pop songs and painfully stupid lyrics (which are at best hilarious, at worst cringe inducing), but you'd be hard-pressed to find a mainstream rap album that isn't these days. Choice cuts include "Smoke a Nigga" and "SoMuch Money."

2. Human Larvae- "Womb Worship" (L. White)
Another death industrial project which I'm absolutely enthusiastic about, and another album dealing with apparent themes of motherhood and birth. Been waiting years for a full length follow up to Human Larvae's magnificent debut album and boy, does "Womb Worship" ever deliver. This is an absolutely terrifying album on every fucking level. Each track will leave you petrified, spellbound, and in a state of total infantile helplessness. Soundtrack to your late miscarriage.

1.Theologian- "Some Things Have to Be Endured" (Crucial Blast)
The trajectory Lee has defined with his musical outlets is a very interesting one. His oeuvre manages to transverse a variety of industrial/electronic genres, as well as the darkest corridors of human consciousness. This album feels like a culmination of sorts. It's certainly bleak, but far less abrasive than previous releases, in part due to the warmly provided vocals from a number of female guests and an almost darkwave vibe at times. "Some Things Have to Be Endured" has to be heard to be believed. A truly remarkable piece of work.

New from Malignant Records: The Vomit Arsonist, Phelios, and Aderlating

Since my last "batch" post was decidedly rooted in black metal, I feel it's time to balance it with some fantastic death industrial, dark ambient, and generally horrific music with roots in the electronic rather than metal genres. I recently received a batch of CDs from Malignant Records and these three in particular stood out for me, although it'd be folly to dismiss the rest of this label's impressive catalog. Seriously, take a look--it's stunning. Honestly, there's a chance I might feature more Malignant releases soon, as these have pretty much been in constant rotation over here for the past few weeks.

The Vomit Arsonist- "An Occasion For Death" CD
Of the albums I received, The Vomit Arsonist was instantly a curiosity for me. While the name is slightly curious to me (does he set vomit on fire? is his vomit made of fire?), this album is as serious as it gets. The mechanical percussion sets a fantastic dirge pace for the depressing synth-laden drones, churning static, and violent yelling that make up the meat of this album. It's both somber and terrifying--perfect for dimly lit rooms and long nights of self-loathing. Suicide, or death as a whole, is an easy theme to prey upon for darker music, yet The Vomit Arsonist captures this heavy subject matter in a respectable and convincing light rather than simply throwing out something vaguely negative. There is a true sense of despair and ugliness here that really inspires my faith in death industrial and power electronics as truly expressive forms of music rather than simple ways of shocking people with machinery. The passionate violence here sticks with me long after it's finished, leaving a dull emptiness in its wake. Order a copy here.

Phelios- "Gates of Atlantis" CD
I will admit to already being quite fond of Phelios before receiving this CD, but this album further cements Phelios' role as a talented dark ambient visionary. As its name might suggest, this is a rather subterranean voyage, with rhythms that feel more organic and ancient than byproducts of modern electronic music. The majority of this album feels like a living, breathing thing, almost some ancient force lying dormant. Despite the relatively dark subject matter presented here, there is a euphoric sense of satisfaction to the smoky and ominous atmosphere here, perhaps as a celebration of fear and the unknown. The tension and foreboding on this album serve as a soundtrack to an inner film of both majesty and horror. Whether falling through endless depths of space or boring straight to the core of the earth, this is an ever-expanding experience that grows with each listen. I could put this one on and listen on repeat for days. "Gates of Atlantis" is easily one of my favorite electronic albums to come out this year and cannot be recommended highly enough. Grab a copy and you'll understand.

Aderlating- "Gospel of the Burning Idols" CD
As one of the many projects of Gnaw Their Tongues mastermind Mories, it's safe to say that Aderlating's music is and has always been on the scarier side of the musical spectrum, but "Gospel of the Burning Idols" has taken my understanding of Mories' dark ambitions and given it new depth. This is easily the most unsettling work I've heard from Aderlating, with occasional feedback bursts and startling live percussion illuminating an otherwise ashen landscape of bleak droning death industrial and adding to the anxiety-inducing nature of the music. It's hard to tell if the sparse vocals are whispered or shrieked and simply buried, but they're just one more piece of this horrifying slab of noise. To truly put the intensity of this album into words is a rather daunting challenge, as I have been fortunate enough in my life not to encounter death or torture, but this truly feels like the sounds of a panicked ending to one's life. Absolutely horrific, loosely structured, this album is worth the time for any who are brave enough to endure these challenges. Buy it here.